Rap

There are relatively few Netflix documentaries – even in this increasingly sensationalized and prurient age – that have made anything like the splash that the new show about the artist formerly known as P. Diddy has caused. Sean Combs: The Reckoning isn’t just hard to watch, but positively mind-blowing in its account of the imprisoned mogul’s actions and predilections. Although he was acquitted of the most serious charges that he was on trial for this year, Combs will not be released from jail until May 2028. Given the number of allegations and civil suits pending against him, any comeback for the disgraced musician looks impossible – even in an era when Kanye West is, apparently, given second chance after second chance.

Amid the hullaballoo that surrounded Charlie Kirk’s memorial service last weekend, seemingly virtually every figure associated in any way with the MAGA movement appeared – yes, even Elon Musk, who was filmed shaking hands with President Trump in one of the more unexpected rapprochements of the year. But one man who many might have expected to be present was nowhere to be seen. The rapper, producer and professional controversialist Kanye “Ye” West, who might have added a certain grim luster to the predominantly Christian music played at the memorial, was absent, and so the potential for the carefully choreographed event being thrown into chaos was avoided. It might sound unlikely that West would ever have been invited, but a new documentary about him, In Whose Name?

Last May, a rapper who performs under the name Young Thug was arrested and named in a gang indictment in Atlanta. Right now, the trial relating to that arrest, the YSL RICO case, is underway. Fellow rapper Gunna and no less than twenty-six other young men associated with their Young Slime Life music collective, have been arrested and charged under the federal Racketeer Influenced and Corrupt Organization, or RICO, statute for “alleged gang activity.” In the post-Black Lives Matter era, the case has become something of a cause célèbre, with prominent figures in the entertainment industry and beyond arguing that Young Thug and Gunna are essentially on trial because they are flashy young black men – who, in Thug’s case, may also be gay or bisexual.

Azealia Banks is taking a break from digging up her dead cat and returning to music after signing with major label Parlophone. In a recent interview with the Guardian, Banks spilled the beans on her very public breakdowns, Kanye West and, weirdly enough, Ron DeSantis. (Naturally, she used rather colorful language in doing so: Cockburn urges the faint-hearted to skip over the following quotes.) Banks, the New York rapper and singer who first gained popularity eleven years ago with her hit "212," claimed that she felt safer after her move from Los Angeles to Florida. She said that people “mind their fuckin’ business” and claimed that the media lies about the Republican haven. Part of that, she said, is down to the governor, Ron DeSantis. “He’s focused on the basic shit.

Here are the facts: Kanye West should be in a psychiatric hospital. Instead, he’s speaking his mind, or what’s left of it. For what it’s worth, Kanye West should not be tweeting or going on podcasts. Unlike the side effects of a prescription drug, the results don’t vary. No, the outcome is usually the same, in one form or another: career suicide. Kanye West’s artistic legacy is undergoing seppuku. We've seen this movie before. Remember Roseanne? After a racist tweet in 2018, ABC immediately canceled her show (it was going to be her comeback). Hulu followed up by removing every season of Roseanne from their streaming service.

In last weekend’s Wall Street Journal, James R. Hagerty and Anne Steele argue that pop artists are using more imperfect — that is, half or slant — rhymes than before because of the pressure to be original in the age of Spotify. This, plus the influence of rap, which “requires verbal virtuosity,” they argue, “has upped the ante on originality in rhyming.” Color me unconvinced. Olivia Rodrigo rhymes “smart” with “car” in “Brutal.” Dua Lipa’s “Don’t Start Now” rhymes “full 180” with “crazy.” For Hagerty and Steele, these are examples of stunning creativity. But lyricists have been using slant rhymes for a long time. Why? Mainly because they are easier than perfect rhymes, at least in English.

In Mike Judge’s 2006 film Idiocracy, an early over-the-top indicator of future Earth’s stupidity is the number-one movie in the country: eight-time Oscar winner Ass, which is nothing but 90 minutes of its title proudly displayed.It turns out, though, that Judge’s vision of the future was not over-the-top at all. In fact, it was shockingly tame. Idiocracy took place in 2505, but Ass only took until 2020.The most popular song in America right now is Cardi B and Megan Thee Stallion’s ‘WAP’. The title is short for ‘wet ass pussy’, and the lyrics get even less Shakespearean from there. The song is accompanied by a big-budget, hyper-sexualized music video that has already been viewed on YouTube close to 100 million times in five days.

Despite his slender frame and greater affinity with high-end fashion brands than street gangsterism, 30-year-old American rapper A$AP Rocky has never been one to avoid confrontation. Videos on YouTube show him threatening to ‘snuff’ a giant English man, who promptly tells him to ‘do one, bruv’. Thank God some people have kept the spirit of the duel alive.Last month, however, words ended and fists flew. Rocky was arrested during a tour of Sweden, and video emerged of him swinging a young man through the air and into the pavement. Frankly, it was an impressive, if acutely dangerous, display of physicality. This, and he and his colleagues’ subsequent kicking and stomping of the young man and his friend, made this look like an open and shut case.

Back in the Nineties, rap beefs used to mean something. Fans of the genre watched in horror as its biggest stars traded insults and then bullets. Two of its most promising talents, 2Pac and the Notorious BIG, were wiped out within months of each other, all because of a coastal rivalry. Cockburn isn’t hoping for a return to bloodshed — needless to say, his streets have seen too much of that in their time — but he is concerned about the relative tameness of conflicts between rappers these days. When a multimillionaire like Kanye West rises to a supposed slight from multimillionaire Drake about whether he slept with his multimillionaire wife Kim Kardashian, it’s fair to ask whether the noble art of the rap beef has lost its edge. That’s why new contenders are always welcome.

Grade: B+Another ex-Long Beach crip replanted in pleasant Orange County via the conduit of very large amounts of record company money and thus now able to draw on his time as a gangsta, while telling us all it was a very naughty thing to have done.The difference between Staples and much of the similarly uprooted West Coast hip-hop crew is twofold. First, off-stage the man is thoughtful, articulate and refuses to hunker down beneath the comfort blanket of black victimhood. Further, he eschews all drugs and alcohol and loathes the glorification of gang culture — something he calls coonery — and is a Christian. (Although it is hard to imagine Jesus Christ cheerfully singing along with this little number.) And second, he has words.