Culture

Photography

Don McCullin shows no signs of slowing down

In the veteran photojournalist’s later work, a sense of foreboding is never far away

Orson Fry

Don’t take Virginia Giuffre’s memoir at face value

Nobody’s Girl feels authentic, but its claims still require vetting

Ian Maxwell

Del Toro’s Frankenstein deserves the big screen

Still, it’s a relief that Netflix, for all its faults, is bankrolling work as individual and striking as this

Alexander Larman

Why was Steven Soderbergh’s Star Wars film rejected?

That his film might be seen as a risk says a lot about how tainted the brand has become

Alexander Larman

Lackluster and confusing

It’s a shame that Crooked Cross isn’t better

Director Jonathan Bank is unable to do the play justice

Clarissa Sebag-Montefiore

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