Dominic Green

Dominic Green, PhD, FRHistS is a critic, historian and the editor of The Spectator’s World edition. The author of four books, he writes widely on the arts and current affairs, and contributes regularly to the Wall Street Journal and the New Criterion. His next book, The Religious Revolution, is forthcoming with Farrar, Strauss & Giroux.


Donald Trump and the unreality of a two-state solution

The AIPAC conference, that annual celebration of the triangular romance between America, Israel and American Jews, concluded last night with the traditional protestations of undying love, democratic compatibility and common values. Meanwhile, AIPAC’s identity crisis deepens, and a redefinition of the goals of the American-Israeli relationship looms. AIPAC is studiously bipartisan, but the maladroit policies […]

By Dominic Green


The 2018 Oscars were indulgent, overlong, and weirdly amateurish — again

It was always going to be difficult for this year’s Oscars to balance politics and entertainment, the sweeping declaration with the plunging cleavage. The host, Jimmy Kimmel, got through his opening routine well enough, and without showing his cleavage either, but the strain was already showing. The décor and the script were like a moral […]

By Dominic Green


Oscars 2018: and the winners are…

Tomorrow night, TV viewers will take to their couches for a night of Hollywood glamour, razzmatazz and gross hypocrisy. A bunch of vain halfwits who make millions waving guns around or taking off their clothes will preach to us about gun control and sexual morality. Yes, it’s the 493rd annual Oscar Awards. I have the […]

By Dominic Green


Bruce on Broadway – and out of touch

Bruce Springsteen promised that he was ‘Born To Run’, and now, like Judy Garland and Ethel Merman before him, he is running on Broadway—and running, and running. From last October to early February, the workingman’s tribune performed five nights a week at the Walter Kerr Theatre, his tools a piano, an acoustic guitar, and a […]

By Dominic Green


What do Walt Whitman, Jackson Pollock and Jimi Hendrix have in common?

On 3 September 1968, Allen Ginsberg appeared on William F. Buckley’s Firing Line. Buckley exposed Ginsberg’s politics as fatuous — the blarney, stoned — but Ginsberg stole the aesthetic victory by reading ‘Wales Visitation’, a homage to William Blake. ‘White fog lifting and falling on mountain brow,’ Ginsberg intones, ‘…teeming ferns/ exquisitely swayed/ along a […]

By Dominic Green

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