After a controversial postponement, the Philip Guston retrospective has landed in Boston
By Andrew L. Shea
He isn’t for the faint of heart, but it’s worth confronting his life’s work
By Andrew L. Shea
Milton Avery was able to carve out his own path, distinct from modernism’s march through history
By Andrew L. Shea
Joan Mitchell was a female star of the Abstract Expressionist boys’ club
By Andrew L. Shea
Jasper Johns, an art-world darling for decades, is getting a massive museum retrospective
By Andrew L. Shea
Is the Baltimore Museum of Art exploiting the COVID-19 crisis to sell off major modern paintings?
By Andrew L. Shea
While others have postured, Paul Resika has kept on painting
By Andrew L. Shea
His tale is not a ‘let’s hold hands and sing for liberty’ triumph. It’s a violent, gritty and gruesome affair
By Andrew L. Shea
The forgotten genius of Blue Note was a prince among players, but he died a pauper
By Andrew L. Shea
